{"id":12176,"date":"2024-09-30T15:00:56","date_gmt":"2024-09-30T15:00:56","guid":{"rendered":"https:\/\/tr.ummatics.org\/?p=12176"},"modified":"2025-12-04T11:43:49","modified_gmt":"2025-12-04T11:43:49","slug":"populerkultur","status":"publish","type":"post","link":"https:\/\/tr.ummatics.org\/en\/populerkultur\/","title":{"rendered":"\u00dcmmet\u00e7i Pop\u00fcler K\u00fclt\u00fcr ve Gen\u00e7lik Kimli\u011fi Olu\u015fumu"},"content":{"rendered":"<h3><iframe src=\"\/\/www.youtube.com\/embed\/4qsGCJr_lXc?si=YaTfYLTFxRvRznn5\" width=\"560\" height=\"314\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/h3>\n<p>&nbsp;<\/p>\n<h3>A\u00e7\u0131klama<\/h3>\n<p><span style=\"font-weight: 400;\">K\u00fcresel M\u00fcsl\u00fcman pop\u00fcler k\u00fclt\u00fcr\u00fc, kimlik olu\u015fumunun temel unsurlar\u0131ndan biridir. Bir\u00e7ok gen\u00e7 M\u00fcsl\u00fcman, birbirine z\u0131t gibi g\u00f6r\u00fcnen ulusal, din\u00ee ve etnik kimlikler aras\u0131nda s\u0131k\u0131\u015fm\u0131\u015f olsa da, inanc\u0131 ortak kimliklerinin temeli h\u00e2line getiren k\u00fcresel bir pop\u00fcler k\u00fclt\u00fcr geli\u015ftirerek ustal\u0131kla \u201c\u00fc\u00e7\u00fcnc\u00fc bir yol\u201d in\u015fa etmi\u015flerdir. Sanat, spor, sosyal medya ve dijital teknoloji arac\u0131l\u0131\u011f\u0131yla M\u00fcsl\u00fcman gen\u00e7lik k\u00fclt\u00fcr\u00fc, devlet s\u0131n\u0131rlar\u0131n\u0131 ve ulusal kimlikleri a\u015fan k\u00fcresel bir bilin\u00e7 yaratm\u0131\u015ft\u0131r. Ortak inan\u00e7lar\u0131n\u0131, yarat\u0131c\u0131l\u0131klar\u0131n\u0131 ve deneyimlerini ifade edebilecekleri \u00fc\u00e7\u00fcnc\u00fc mek\u00e2nlar olu\u015fturmaya ve dayan\u0131\u015fmay\u0131 g\u00fc\u00e7lendirmeye dair geni\u015fleyen tart\u0131\u015fmalar, bug\u00fcn M\u00fcsl\u00fcman gen\u00e7 olman\u0131n anlam\u0131na yeni bir bi\u00e7im kazand\u0131ran bir gen\u00e7lik k\u00fclt\u00fcr\u00fc ortaya \u00e7\u0131karm\u0131\u015ft\u0131r. Bu \u201c\u00fcmmet\u00e7i\u201d pop\u00fcler k\u00fclt\u00fcr, \u201c11 Eyl\u00fcl ku\u015fa\u011f\u0131\u201d olarak an\u0131lan gen\u00e7 bir nesil i\u00e7inde geli\u015fmi\u015ftir. D\u00fcnya giderek daha fazla birbirine ba\u011flan\u0131rken, M\u00fcsl\u00fcman gen\u00e7ler \u00fcmmet\u00e7i bir gen\u00e7lik k\u00fclt\u00fcr\u00fcn\u00fc beslemek i\u00e7in hangi yollar\u0131 ara\u015ft\u0131r\u0131yor ve k\u00fcresel M\u00fcsl\u00fcman pop\u00fcler k\u00fclt\u00fcr\u00fcndeki bu yeni d\u00f6n\u00fc\u015f\u00fcmler, d\u00fcnya genelindeki M\u00fcsl\u00fcman gen\u00e7lerin kimliklerini nas\u0131l \u015fekillendiriyor?<\/span><\/p>\n<p><b>Dr. Kamaludeen Mohamed Nasir,<\/b><span style=\"font-weight: 400;\"> Singapur\u2019daki Nanyang Teknoloji \u00dcniversitesi\u2019nde sosyoloji do\u00e7entidir. 2023\u20132024 y\u0131llar\u0131 aras\u0131nda Georgetown \u00dcniversitesi\u2019nde G\u00fcneydo\u011fu Asya\u2019da \u0130slam \u00fczerine Malezya K\u00fcrs\u00fcs\u00fc\u2019nde Misafir Profes\u00f6r olarak g\u00f6rev yapm\u0131\u015ft\u0131r. Ara\u015ft\u0131rmalar\u0131 din sosyolojisi, k\u00fclt\u00fcrel sosyoloji ve gen\u00e7lik sosyolojisi \u00fczerinde yo\u011funla\u015fmakta; \u00f6zellikle gen\u00e7 M\u00fcsl\u00fcmanlar\u0131n pop\u00fcler k\u00fclt\u00fcrle nas\u0131l ili\u015fki kurduklar\u0131n\u0131 ve ulus\u00e7uluk ba\u011flam\u0131nda kimliklerini nas\u0131l \u015fekillendirdiklerini incelemektedir. Dr. Kamaludeen, <\/span><i><span style=\"font-weight: 400;\">Globalized Muslim Youth in the Asia Pacific<\/span><\/i><span style=\"font-weight: 400;\"> ve <\/span><i><span style=\"font-weight: 400;\">Representing Islam: Hip-Hop of the September 11 Generation<\/span><\/i><span style=\"font-weight: 400;\"> adl\u0131, M\u00fcsl\u00fcman gen\u00e7lik k\u00fclt\u00fcr\u00fc ile devlet politikalar\u0131 aras\u0131ndaki kesi\u015fimleri irdeleyen \u00f6nemli eserlerin yazar\u0131d\u0131r. H\u00e2lihaz\u0131rda <\/span><i><span style=\"font-weight: 400;\">Football and Islam: Negotiating Identity in the Global Game<\/span><\/i><span style=\"font-weight: 400;\"> adl\u0131 kitab\u0131n\u0131 tamamlamaktad\u0131r. Tart\u0131\u015fma ve ard\u0131ndan yap\u0131lan soru-cevap oturumu, Vrije Amsterdam \u00dcniversitesi\u2019nden Dr. Usaama Al-Azami taraf\u0131ndan y\u00f6netilmi\u015ftir. Tarih: 12 Ekim 2024, saat 11.00 (ET).<\/span><\/p>\n<p>&nbsp;<\/p>\n<h3>Kolokyum \u00d6zeti<\/h3>\n<h4>Ana Sunum (Dr. Kamaludeen Mohamed Nasir)<\/h4>\n<h5>Giri\u015f<\/h5>\n<ul>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">K\u00fcresel M\u00fcsl\u00fcman pop\u00fcler k\u00fclt\u00fcr\u00fc, gen\u00e7lerin kimlik olu\u015fumunda merkezi bir rol oynar.<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">Bu k\u00fclt\u00fcr, gen\u00e7lerin ulusal, etnik ve din\u00ee aidiyetlerini uzla\u015ft\u0131rarak b\u00fct\u00fcnc\u00fcl bir benlik anlay\u0131\u015f\u0131 geli\u015ftirmelerine imk\u00e2n tan\u0131r.<\/span><\/li>\n<\/ul>\n<h5>K\u00fcresel M\u00fcsl\u00fcman Pop\u00fcler K\u00fclt\u00fcr\u00fc Anlamak<\/h5>\n<h6><i>Pop\u00fcler K\u00fclt\u00fcr\u00fcn Tan\u0131m\u0131<\/i><\/h6>\n<ul>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">Sosyolojik olarak pop\u00fcler k\u00fclt\u00fcr, bir toplumsal sistemin en geni\u015f bi\u00e7imde payla\u015f\u0131lan anlamlar\u0131n\u0131 i\u00e7eren pratikler, inan\u00e7lar ve nesneler b\u00fct\u00fcn\u00fcd\u00fcr. Medya, e\u011flence, moda, trendler ve dilsel kal\u0131plar arac\u0131l\u0131\u011f\u0131yla kendini g\u00f6sterir.<\/span><\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h6><i>K\u00fcresel Boyut<\/i><\/h6>\n<ul>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">K\u00fcreselle\u015fme; dijital ve sosyal medya teknolojilerinin yayg\u0131nla\u015fmas\u0131, dayan\u0131\u015fma hareketleri ve ku\u015faklararas\u0131 ba\u011flarda kendini g\u00f6sterir.<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">11 Eyl\u00fcl ku\u015fa\u011f\u0131 M\u00fcsl\u00fcmanlar\u0131, yo\u011fun g\u00fcvenlik politikalar\u0131 ve \u0130slamofobik bask\u0131lar alt\u0131nda b\u00fcy\u00fcm\u00fc\u015ft\u00fcr.<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">Bu ko\u015fullar, ebeveynlerinden farkl\u0131 olarak diren\u00e7li ve aktivist bir k\u00fcresel ku\u015fak kimli\u011fini \u015fekillendirmi\u015ftir.<\/span><\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h6><i>M\u00fcsl\u00fcman Pop\u00fcler K\u00fclt\u00fcr\u00fc<\/i><\/h6>\n<ul>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">M\u00fcsl\u00fcman pop\u00fcler k\u00fclt\u00fcr\u00fc, giyim tarz\u0131, hip-hop, spor ve t\u00fcketim eti\u011fi gibi alanlarda tecelli eder; davet, toplumsal meseleler ve M\u00fcsl\u00fcmanlara y\u00f6nelik zul\u00fcmler gibi \u00e7e\u015fitli temalar\u0131 i\u015fler.<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">\u00dcmmet ve \u00fcmmet\u00e7ilik olgusu, M\u00fcsl\u00fcman pop\u00fcler k\u00fclt\u00fcr\u00fcn\u00fcn merkezinde yer al\u0131r.<\/span><\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h6><i>\u0130slam\u2019\u0131 Yerelle\u015ftirmek<\/i><\/h6>\n<ul>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">\u0130slam\u2019\u0131n k\u00fcreselli\u011fini anlamak, b\u00f6lgesel ve mezhepsel farkl\u0131l\u0131klar\u0131 kabul etmeyi, merkez\u2013\u00e7evre ili\u015fkilerini sorgulamay\u0131 ve otantiklik meselesini ele almay\u0131 gerektirir. En b\u00fcy\u00fck M\u00fcsl\u00fcman n\u00fcfuslara sahip ve etkili gen\u00e7lik k\u00fclt\u00fcrleri \u00fcreten \u00fclkelerin \u00e7o\u011fu, Orta Do\u011fu d\u0131\u015f\u0131nda yer almaktad\u0131r.<\/span><\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h6><i>M\u00fcsl\u00fcman T\u00fcketim Eti\u011fi<\/i><\/h6>\n<ul>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">M\u00fcsl\u00fcman gen\u00e7lik, temel helal bilincini a\u015farak helal \u00fcr\u00fcnlerden helal pazara, oradan k\u00fcresel \u0130slami ekonomiye ge\u00e7i\u015f yapm\u0131\u015ft\u0131r.<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">\u00d6zellikle Filistin meselesi ba\u011flam\u0131nda uygulanan boykotlar, dindarl\u0131k ile gen\u00e7lik k\u00fclt\u00fcr\u00fc aras\u0131nda ahlaki bir k\u00f6pr\u00fc i\u015flevi g\u00f6rmektedir.<\/span><\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h6>M\u00fcsl\u00fcman Hip-Hop<\/h6>\n<ul>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">Toplumsal bilinci y\u00fcksek hip-hop, tabandan gelen k\u00fclt\u00fcr\u00fcn bir yans\u0131mas\u0131d\u0131r.<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">Siyah gen\u00e7lik aras\u0131nda hip-hop\u2019un yank\u0131 bulmas\u0131n\u0131n nedenleri (ayr\u0131mc\u0131l\u0131k, polis \u015fiddeti, olumsuz medya temsili), M\u00fcsl\u00fcman gen\u00e7lerin deneyimleriyle (\u0131rk\u00e7\u0131l\u0131k, g\u00fcvenlik politikalar\u0131, \u0130slamofobi) benzerlik ta\u015f\u0131r.<\/span><\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h6><i>M\u00fczik ve \u0130slam<\/i><\/h6>\n<ul>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">Gen\u00e7 M\u00fcsl\u00fcmanlar, m\u00fczik \u00fczerine tart\u0131\u015fmalarda (enstr\u00fcman kullan\u0131m\u0131, kad\u0131n sesi, m\u00fcstehcen dil vb.) sanatsal ifade alan\u0131n\u0131 m\u00fczakere etmektedir.<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">Bu s\u00fcre\u00e7te hip-hop, daha geni\u015f kabul g\u00f6ren \u0130slami m\u00fczik t\u00fcrleri (\u00f6rne\u011fin akapella ne\u015fid) ile birle\u015fmektedir.<\/span><\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h6><i>G\u00fcce Hakikati S\u00f6ylemek<\/i><\/h6>\n<ul>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">Hip-hop, ana ak\u0131m esteti\u011fin benimsenmesiyle g\u00fc\u00e7lenme arac\u0131 h\u00e2line gelir.\u00a0<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">Yasiin Bey (Mos Def) gibi sanat\u00e7\u0131lar, Malcolm X\u2019ten ilhamla evrensel insan haklar\u0131 m\u00fccadelesini dillendirir.Baz\u0131 sanat\u00e7\u0131lar ise Filistin\u2019i desteklemek gibi politik eylemler arac\u0131l\u0131\u011f\u0131yla \u0130slam\u2019\u0131 sahnede ya\u015fat\u0131r.<\/span><\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h5>\u0130slam\u2019\u0131 \u201cTemsil Etmek\u201d<\/h5>\n<h6><i>\u0130slam\u2019\u0131 \u201cTemsil Etmek\u201d<\/i><\/h6>\n<ul>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">Hip-hop ba\u011flam\u0131nda \u201ctemsil etmek\u201d, bir davay\u0131 sahiplenmek anlam\u0131na gelir.<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">Bu da \u201c\u0130slam\u2019\u0131 kim temsil eder?\u201d, \u201c\u0130slam nas\u0131l temsil edilir?\u201d gibi sorular\u0131 g\u00fcndeme getirir.<\/span><\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h6><i>\u0130slam\u2019\u0131 \u201cYeniden Sunmak\u201d<\/i><\/h6>\n<ul>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">M\u00fcsl\u00fcman gen\u00e7ler, dijital dinin y\u00fckseli\u015fi ve otorite krizine yan\u0131t olarak, \u0130slam\u2019\u0131 yeni bi\u00e7imlerde sunmaya \u00e7al\u0131\u015f\u0131r; k\u00fclt\u00fcrel \u00fcretimle dindarl\u0131\u011f\u0131 uzla\u015ft\u0131r\u0131r.<\/span><\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h6><i>\u201cM\u00fcsl\u00fcman Cool\u201d ve Protesto K\u00fclt\u00fcr\u00fc<\/i><\/h6>\n<ul>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">M\u00fcsl\u00fcman gen\u00e7ler, \u00f6zellikle siyah k\u00fclt\u00fcrden beslenen pop\u00fcler k\u00fclt\u00fcr unsurlar\u0131n\u0131 \u0130slam\u00ee kimliklerine d\u00e2hil eder.<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">Bu durum, kamusal dindarl\u0131\u011f\u0131 benimseyen, \u00e7o\u011ful \u00fcmmet\u00e7ili\u011fi kabul eden, muhalif bir gen\u00e7lik kimli\u011fi \u00fcretir.<\/span><\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h6><i>Toplumsal Cinsiyet<\/i><\/h6>\n<ul>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">M\u00fcsl\u00fcman hip-hop, cinsiyet temsili konular\u0131nda tart\u0131\u015fma alan\u0131 a\u00e7ar. Ba\u015f\u00f6rt\u00fcl\u00fc kad\u0131nlar\u0131n kendi temsillerini \u00fcretmesi ve erkek sanat\u00e7\u0131lar\u0131n kad\u0131n temsillerini ele\u015ftirmesi bu s\u00fcrecin par\u00e7as\u0131d\u0131r.<\/span><\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h5>Elit M\u00fcsl\u00fcman Futbolcular<\/h5>\n<ul>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">Futboldaki M\u00fcsl\u00fcman y\u0131ld\u0131zlar, M\u00fcsl\u00fcmanlara dair alg\u0131lar\u0131 d\u00f6n\u00fc\u015ft\u00fcrmekte, \u0130slamofobiyi azaltmaktad\u0131r.<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">Sosyal medyadaki g\u00f6r\u00fcn\u00fcrl\u00fckleri, dindarl\u0131\u011f\u0131n ve aktivizmin yeni bir bi\u00e7imde ifade edilmesine olanak sa\u011flar.<\/span><\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h5>Sonu\u00e7 ve De\u011ferlendirme<\/h5>\n<h6><i>Gen\u00e7lik Kimli\u011finin \u0130n\u015fas\u0131<\/i><\/h6>\n<ul>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">G\u00fcn\u00fcm\u00fcz M\u00fcsl\u00fcman gen\u00e7li\u011finin kimlik in\u015fas\u0131n\u0131 anlamak, \u0130slam\u2019\u0131n bug\u00fcn\u00fc ve gelece\u011fini anlamak a\u00e7\u0131s\u0131ndan elzemdir.<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">Gen\u00e7ler, ulusal, ticari, din\u00ee ve ku\u015faksal aidiyetler aras\u0131nda denge kurarak \u00e7ok katmanl\u0131 kimlikler geli\u015ftirir.<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">Bu kimlik, hem geleneksel \u0130slami ba\u011flar\u0131 hem de kapitalizm ve sanayile\u015fme gibi modern unsurlar\u0131 uzla\u015ft\u0131r\u0131r.<\/span><\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h6><i>Dijital Teknolojiler<\/i><\/h6>\n<ul>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">\u0130nternet, dindarl\u0131\u011f\u0131n prati\u011fi \u00fczerinde d\u00f6n\u00fc\u015ft\u00fcr\u00fcc\u00fc bir etki yaratm\u0131\u015ft\u0131r.<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">Gen\u00e7 M\u00fcsl\u00fcmanlar, din\u00ee bilgiyi giderek daha fazla \u00e7evrim i\u00e7i ortamlardan edinmektedir.<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">Bilginin demokratikle\u015fmesi g\u00fc\u00e7lendirici oldu\u011fu kadar yabanc\u0131la\u015ft\u0131r\u0131c\u0131 da olabilmektedir.<\/span><\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h6><i>Pop\u00fcler K\u00fclt\u00fcr\u00fc Yeniden D\u00fc\u015f\u00fcnmek<\/i><\/h6>\n<ul>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">\u00dcmmet\u00e7i bir bak\u0131\u015f a\u00e7\u0131s\u0131, d\u00fcnya genelindeki M\u00fcsl\u00fcman gen\u00e7lik topluluklar\u0131 aras\u0131nda kar\u015f\u0131la\u015ft\u0131rmal\u0131 analizler yap\u0131lmas\u0131n\u0131, etnosentrik yakla\u015f\u0131mlar\u0131n \u00e7\u00f6z\u00fclmesini ve k\u00fclt\u00fcrel etkilerin tek y\u00f6nl\u00fc merkez\u2013\u00e7evre modelini sorgulamay\u0131 m\u00fcmk\u00fcn k\u0131lar.<\/span><\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h3>Moderat\u00f6r Tart\u0131\u015fmas\u0131<\/h3>\n<h5>\u00dcmmet\u00e7i Pop\u00fcler K\u00fclt\u00fcr\u00fcn Kar\u015f\u0131 Kar\u015f\u0131ya Oldu\u011fu Zorluklar<\/h5>\n<ul>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">K\u00fcresel pop\u00fcler k\u00fclt\u00fcr\u00fcn en b\u00fcy\u00fck \u00fcreticileri olan ABD ve Hindistan, k\u00fclt\u00fcrel \u00fcretimlerinde \u00fcmmeti merkeze almamaktad\u0131r.<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">K\u00fclt\u00fcrel \u00fcretimin ba\u015fl\u0131ca k\u00fcresel pazarlar\u0131 h\u00e2len ABD ve Avrupa\u2019da yer almakta olup, bu b\u00f6lgeler asker\u00ee-s\u0131nai kompleks gibi hegemonik mekanizmalarla ba\u011flant\u0131l\u0131d\u0131r.<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">Bununla birlikte, hegemonik medyan\u0131n bask\u0131nl\u0131\u011f\u0131na ra\u011fmen \u0130slami medya \u00fcretiminin geli\u015fmesi ve Arap Bahar\u0131 s\u00fcrecinde hip-hop\u2019un k\u00fclt\u00fcrel \u00fcretimde merkezi bir rol \u00fcstlenmesi, \u00fcmmet\u00e7i pop\u00fcler k\u00fclt\u00fcr\u00fcn \u00fcretim ve dola\u015f\u0131m g\u00fcc\u00fcn\u00fcn hafife al\u0131namayaca\u011f\u0131n\u0131 g\u00f6stermektedir.<\/span><\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h3>Soru-Cevap Tart\u0131\u015fmas\u0131<\/h3>\n<h5>Ana Ak\u0131m Medyay\u0131 A\u015fmak<\/h5>\n<ul>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">Sosyal medya, oyunun kurallar\u0131n\u0131 de\u011fi\u015ftirmi\u015f; f\u0131rsat e\u015fitli\u011fi sa\u011flam\u0131\u015f ve geleneksel medya bi\u00e7imlerini a\u015fmay\u0131 m\u00fcmk\u00fcn k\u0131lm\u0131\u015ft\u0131r.<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">Buna ra\u011fmen, \u00f6zellikle Filistin yanl\u0131s\u0131 i\u00e7eriklerin eri\u015fiminin k\u0131s\u0131tlanmas\u0131nda Silikon Vadisi merkezli sosyal medya \u015firketlerinin rol\u00fc gibi ciddi zorluklar devam etmektedir.<\/span><\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h5>Bilgi ve Sosyalle\u015fme<\/h5>\n<ul>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">Ge\u00e7mi\u015fte sosyalle\u015fme s\u00fcreci, \u00e7o\u011funlukla cemaat b\u00fcy\u00fcklerinden bilgi aktar\u0131m\u0131 yoluyla ger\u00e7ekle\u015firdi; modern d\u00f6nemde ise akranlar aras\u0131 sosyalle\u015fme daha fazla \u00f6nem kazanm\u0131\u015ft\u0131r.<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">\u0130slam\u2019da gelene\u011fin merkez\u00ee konumu dikkate al\u0131nd\u0131\u011f\u0131nda, \u00fcmmet\u00e7i bir yakla\u015f\u0131m, topluluk temelli bilgi aktar\u0131m\u0131 ve sosyalle\u015fme bi\u00e7imlerinden vazge\u00e7meyecektir.<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">Pop\u00fcler k\u00fclt\u00fcr\u00fcn kendisi do\u011frudan bir bilgi veya rehberlik kayna\u011f\u0131 olmasa da, sosyalle\u015fme ve kimlik olu\u015fumu a\u00e7\u0131s\u0131ndan \u00f6nemli bir ileti\u015fim mecras\u0131 olarak ciddiyetle ele al\u0131nmal\u0131d\u0131r.<\/span><\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h5>Y\u0131rt\u0131c\u0131 Ticarile\u015ftirme<\/h5>\n<ul>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">K\u00fcresel neoliberal medya end\u00fcstrileri, s\u0131kl\u0131kla cinselli\u011fin ve siyahlar\u0131n ac\u0131s\u0131n\u0131n \u201cbeyaz bak\u0131\u015f\u0131na\u201d sunulan birer g\u00f6steri nesnesine d\u00f6n\u00fc\u015ft\u00fcr\u00fclmesi gibi patolojik e\u011filimler sergiler.<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">Bu t\u00fcr tuzaklara ra\u011fmen, hip-hop gibi pop\u00fcler k\u00fclt\u00fcrel hareketlerin \u00f6z\u00fc \u2014\u00f6rne\u011fin direni\u015f ve adalet aray\u0131\u015f\u0131\u2014 korunabilir; ancak m\u00fcstehcenlik ve kad\u0131n d\u00fc\u015fmanl\u0131\u011f\u0131 gibi zararl\u0131 unsurlar ay\u0131klanmal\u0131d\u0131r.<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">Hip-hop, C\u00e2hiliye d\u00f6nemi Arap \u015fiirine benzetilebilir: erken d\u00f6nem M\u00fcsl\u00fcmanlar, bu \u015fiiri bar\u0131nd\u0131rd\u0131\u011f\u0131 C\u00e2hiliye de\u011ferlerine ra\u011fmen dilsel ve k\u00fclt\u00fcrel \u00f6neminden \u00f6t\u00fcr\u00fc incelemi\u015f ve onunla etkile\u015fim kurmu\u015flard\u0131r.<\/span><\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h5>\u00dcmmet\u00e7i Potansiyeli Harekete Ge\u00e7irmek<\/h5>\n<ul>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">\u00dcmmet\u00e7i dayan\u0131\u015fma, d\u00fcnya \u00e7ap\u0131nda pop\u00fcler k\u00fclt\u00fcrel \u00fcretimlerde, T\u00fcrkiye ve Pakistan\u2019daki geli\u015fmekte olan film end\u00fcstrilerinden, devlet destekli sinema projeleri ve spor etkinliklerine; Bollywood gibi yerle\u015fik sekt\u00f6rlerdeki bireysel akt\u00f6rlerden, sosyal medyada dindarl\u0131klar\u0131n\u0131 payla\u015fan sporculara kadar geni\u015f bir yelpazede kendini g\u00f6sterebilir.\u00a0<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">\u00dcmmet\u00e7i t\u00fcketici boykotlar\u0131, \u00f6zellikle Filistin\u2019e destek ba\u011flam\u0131nda ba\u015far\u0131l\u0131 olmu\u015ftur; ancak Hollywood gibi k\u00fclt\u00fcrel \u00fcretim merkezlerinin kitlesel \u00f6l\u00e7ekte boykot edilmesi \u00e7ok daha zordur. Bu, ayn\u0131 anda g\u00fc\u00e7l\u00fc alternatiflerin geli\u015ftirilmesini gerektirir.<\/span><\/li>\n<\/ul>\n<p>&nbsp;<\/p>","protected":false},"excerpt":{"rendered":"<p>Sunum, M\u00fcsl\u00fcman gen\u00e7lerin hip-hop, spor, moda ve dijital medya arac\u0131l\u0131\u011f\u0131yla ulusal s\u0131n\u0131rlar\u0131 a\u015fan \u00fcmmet\u00e7i bir pop\u00fcler k\u00fclt\u00fcr olu\u015fturduklar\u0131n\u0131 g\u00f6sterir. Bu k\u00fclt\u00fcr, kimliklerini hem modern d\u00fcnyada ifade etmelerine hem de ortak inan\u00e7 ve dayan\u0131\u015fma duygusunu g\u00fc\u00e7lendirmelerine imk\u00e2n tan\u0131r.<\/p>","protected":false},"author":263,"featured_media":12177,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"content-type":"","footnotes":""},"categories":[188],"tags":[190],"class_list":["post-12176","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-kolokyum","tag-kolokyum"],"_links":{"self":[{"href":"https:\/\/tr.ummatics.org\/en\/wp-json\/wp\/v2\/posts\/12176","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/tr.ummatics.org\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/tr.ummatics.org\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/tr.ummatics.org\/en\/wp-json\/wp\/v2\/users\/263"}],"replies":[{"embeddable":true,"href":"https:\/\/tr.ummatics.org\/en\/wp-json\/wp\/v2\/comments?post=12176"}],"version-history":[{"count":0,"href":"https:\/\/tr.ummatics.org\/en\/wp-json\/wp\/v2\/posts\/12176\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/tr.ummatics.org\/en\/wp-json\/wp\/v2\/media\/12177"}],"wp:attachment":[{"href":"https:\/\/tr.ummatics.org\/en\/wp-json\/wp\/v2\/media?parent=12176"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/tr.ummatics.org\/en\/wp-json\/wp\/v2\/categories?post=12176"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/tr.ummatics.org\/en\/wp-json\/wp\/v2\/tags?post=12176"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}